Unity (mylar/separation) 1995

Curator: Louis Delsarte's "Unity (mylar/separation)" presents us with a series of figures in charcoal on mylar. There's an immediate sense of the ethereal about it. Editor: Yes, the sparse application of charcoal on the translucent mylar emphasizes a feeling of fragility. It highlights the bare essentials, almost like a study. Curator: The figures seem to overlap, perhaps hinting at shared experiences, or even intertwined identities. The title, "Unity," suggests a commentary on collective identity formation. Editor: Mylar also has interesting industrial applications, being at once transparent and strong. Its use here creates an intriguing tension between the artwork's delicate imagery and the inherent resilience of its materials. Curator: Absolutely, and considering the social climate in which Delsarte worked, this layering could speak to the complexities of identity and community within the African diaspora. Editor: Seeing the marks of its making gives me insight into the artist’s process. It's a raw, immediate expression. Curator: It definitely allows for multiple readings, doesn't it? Editor: Indeed. I'm left with a sense of potential, like looking at a blueprint of a socially conscious future.