Rakkeren til hest når han samler de døde katte af gaderne by Nicolai Abildgaard

Rakkeren til hest når han samler de døde katte af gaderne 1743 - 1809

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Dimensions: 187 mm (height) x 222 mm (width) (bladmaal)

Editor: Here we have Nicolai Abildgaard’s pencil drawing, "Rakkeren til hest når han samler de døde katte af gaderne," created sometime between 1743 and 1809. It's… well, it's definitely a striking image, very stark, very matter-of-fact. What jumps out at you when you look at it? Curator: It is striking, isn't it? The "rakker," the scavenger, is mounted, but what he's gathering—dead cats—evokes a powerful sense of societal otherness, even fear. Consider the loaded image of the cat, already on the fringes of folklore and superstition. Editor: So the cat as a symbol carries a lot of weight here, right? Is it fair to say that even a mundane subject like collecting dead animals reflects something deeper? Curator: Precisely! Abildgaard invites us to consider the cultural memory associated with both the animal and the occupation. What does it mean for the "rakker" to ride on horseback, traditionally a sign of nobility, while performing this grim task? The horse itself becomes part of that complex symbolic language, signifying power used for a purpose that is deemed socially undesirable. What stories, what judgments, does Abildgaard compress into this simple sketch? Editor: It's almost contradictory. There's status, yet repulsion all in the same frame. I see that now, this really isn't just a sketch of a guy on a horse. It’s commentary. Curator: And it begs the question: who gets to write that commentary and from what position of social power? Do you see elements that suggest the artist’s own perspective? Editor: Maybe in the careful attention to detail? The horse, particularly, seems rendered with a respect, even tenderness that might subtly critique the figure's task. Curator: It is almost as if the image whispers of lives intertwined, forever marked by the burden of the task and our reaction to it. Editor: It's amazing how much meaning can be packed into such a seemingly simple drawing. I'll definitely be looking at Abildgaard's work differently from now on.

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