Grandfather Clock 1936

Alfred Koehn made this drawing of a Grandfather Clock using watercolor and graphite. The clock itself would have been a considerable undertaking, requiring a skilled cabinetmaker to construct the wooden case, and a clockmaker to assemble the intricate inner mechanism. It would have involved a range of processes, from sawing, planing, and joining the wood, to engraving the clock face and calibrating the movement. The case is rendered in a traditional style, and the clock is made from mahogany or cherry wood, known for its rich color and fine grain. The weight, color, and form of the wood gives the clock a sense of solidity and presence. A clock like this was more than just a functional object; it was a symbol of status and refinement, a way for the owner to display their wealth and taste. The amount of work involved speaks to the value placed on handcrafted objects in an era before mass production. Paying attention to the materials, methods, and social context is critical to fully understand the significance of this clock. It challenges conventional ideas about design, craftsmanship, and artistic expression.