drawing, print, engraving
drawing
baroque
old engraving style
figuration
engraving
Dimensions: height 85 mm, width 186 mm
Copyright: Rijks Museum: Open Domain
Editor: So, this is “Zittende putto met een lauwerkrans in de handen,” or "Seated Putto with Laurel Wreath in Hand," an engraving, dating from 1683-1733, by Bernard Picart. I'm struck by how precisely detailed the lines are, especially considering the time it was made. How would you interpret this work? Curator: Well, focusing on its material origins, consider this engraving not just as an image, but as a product of labor and skill. The fine lines you noted weren't simply 'drawn'. Each was meticulously etched onto a metal plate by a craftsman. What does it tell us about the intended audience? Were these luxury objects? Or something else entirely? Editor: Hmm, I hadn't thought about the actual process like that. The presence of the putto suggests a connection to classical ideals, maybe intended for wealthy patrons interested in refined, classical design. But could it have served a practical purpose too? Curator: Exactly. The 'classical' elements are readily available because they were reproduced through engraving. The image could easily serve as an affordable model, disseminating specific design motifs in the broader world of applied arts, across classes. The putto becomes a commercial element, rather than just a symbol. Think about the use of paper as a common commodity in its social environment, impacting wider aesthetic trends, making refined ornament broadly available. Editor: So it's not only about high art but also the democratization of design, through reproducible materials. This opens it to many more different interpretations that just thinking about the wealthy patrons, right? Curator: Precisely! This perspective challenges the notion of authorship and unique creation; Picart becomes an intermediary between artistic ideals and mass production. The value shifts from the art itself to the industrial production of engravings like these and their use within design production. Editor: That is quite fascinating. Now I see so many other implications beyond just a decorative piece. Thank you!
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