Toneel met de Antwerpse stedenmaagd omringd door deugden, 1594 1594 - 1595

Pieter van der Borcht created this engraving of a stage featuring the Antwerp city maiden surrounded by virtues in 1594. The print comes from a time of political and religious upheaval, as the Dutch Republic was in the throes of its struggle for independence from Spanish rule. The allegorical scene presents Antwerp as a female figure, embodying the city's identity and aspirations. Positioned among virtues, she is a symbol of hope amidst the chaos of war. Note how these virtues—often depicted as female figures themselves—offer a commentary on the desired qualities of leadership and citizenship during this tumultuous period. This scene provides a glimpse into the complex interplay between gender, power, and civic identity in early modern Europe. Consider the emotional weight of this image, created as it was during a time of conflict and uncertainty. It is a potent reminder of the human desire for stability, justice, and the preservation of cultural values, all while offering an idealized vision of society.