Ecce Homo c. 18th century

Editor: So, this is Pierre François Basan's "Ecce Homo," an engraving. It's got this really heavy, somber mood, with dramatic figures. What do you see in this piece, beyond the obvious religious symbolism? Curator: Well, isn't it fascinating how Basan uses line to convey such raw emotion? I'm struck by the almost theatrical quality of the figures. The stark contrast isn't just about light and shadow; it’s a spotlight on human cruelty and suffering, don't you think? Editor: Definitely. That contrast amplifies the emotional impact. I hadn't considered the theatrical aspect so overtly. Curator: Art is full of surprises, isn't it? I’m left pondering the power dynamics at play and how we all participate in them, even unknowingly.