Doop van Christus 1628 - 1689

Alexander Voet the Elder produced this engraving of the Baptism of Christ in Antwerp, a major center of the Southern Netherlands during the 17th century. Antwerp, firmly within the Spanish Netherlands, remained Catholic while the northern provinces embraced Protestantism. This image, therefore, reflects the visual culture of a Counter-Reformation society. Note how the artist depicts the Holy Spirit as a dove radiating divine light, a visual declaration of the Holy Trinity. The inclusion of angels attending the scene further emphasizes the sacramental importance of baptism. Voet’s engraving visually reinforces Catholic doctrine, countering Protestant critiques of these beliefs. Understanding this artwork requires us to consider its original social and religious context. Examining period theological texts and art patronage records helps us to uncover the intentions behind such imagery and its role in shaping religious identity during a period of great upheaval.