Follis of Anastasios I, Constantinople c. 498 - 518

Editor: This is a Follis of Anastasios I from Constantinople. I'm struck by the contrast between the eroded surfaces and the sharp, deliberate lines of the figures. What do you notice about the coin's visual composition? Curator: The composition demonstrates a clear dichotomy. One side bears the effigy, an exercise in profile and adornment. The reverse presents a bold, geometric 'M,' flanked by stars, an essay in symbolic representation. The visual language is direct, a deliberate attempt at clarity. Editor: So, the design elements were carefully chosen for maximum impact? Curator: Precisely. Consider the medium itself: a small, portable object designed for wide circulation. Each element – the portrait, the symbol, the lettering – is rendered with an eye toward legibility and efficiency of communication. Editor: It's fascinating how much visual information they packed into such a small space. Thanks for pointing out those compositional elements! Curator: Indeed, reflecting on the intentionality behind each design choice illuminates its function as a form of early mass communication.