Letter "C" Possibly 1953

Curator: Pam Georg Rueter, perhaps in 1953, created this woodcut print titled "Letter C." When I look at this, I'm immediately drawn in by the quiet confidence it exudes despite its minimal composition. Editor: Oh, I like that observation! For me, there's a somber quality here—a sense of contained power, like history itself condensed into graphic form. Can you describe what we're seeing a bit more precisely? Curator: Absolutely! So, the graphic uses this very striking, old engraving style. We see a crescent shape forming the letter 'C', but the texture suggests a croissant, a funny image, in black against a neutral ground. Then, nestled within that 'C', you’ll spot a detailed depiction of Notre Dame Cathedral, also rendered in black ink. It's quite the visual pun, a symbol sandwich. Editor: Indeed. And placing Notre Dame within that curved form offers an immediate commentary. Consider the sociopolitical context; I'm wondering what motivated this graphic during the 1950s? There is this focus on European history and cultural identity, perhaps looking at the reconstruction period post-WWII, or exploring the concept of rebuilding after destruction, especially relevant with a symbol like Notre Dame representing cultural resilience. Curator: It definitely speaks to rebuilding, but it's playful! Think of a Parisian breakfast-- the building, the city, emerging out of simple fare like the croissant. I am getting hungry even just describing the image...The black ink gives this such incredible weight too! Do you think the visual pairing connects to any broader artistic movements? Editor: Absolutely, it also recalls mid-century European integration and unity after a destructive global war. The cathedral also hints at questions around secularism and state power, as Notre Dame often finds itself in charged public and political debates. Curator: Now that is something I never would have connected, very astute! Looking at this print again, the cathedral nestled like a jewel, protected by pastry and the curve of the letter. I really feel a deep appreciation for Rueter's wit. It makes me see Paris differently somehow, more tactile and human. Editor: It is fascinating how the artist layers imagery that allows for varied and rich discussion!