Trade Card for Cross, Engraver, Print and Map Publisher by Anonymous

Trade Card for Cross, Engraver, Print and Map Publisher 1800 - 1900

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drawing, graphic-art, print, typography, poster, engraving

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portrait

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drawing

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graphic-art

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print

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typography

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decorative-art

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poster

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engraving

Dimensions Sheet: 2 3/8 × 3 9/16 in. (6.1 × 9.1 cm)

Curator: Immediately striking is the precision of the lines in this trade card. It is from around 1800-1900 and the anonymous maker identifies as “Cross, Engraver, Printer, & Map Publisher.” What captures your attention when you observe this engraving? Editor: I'm drawn to the duality of delicacy and industriousness in this print. The flourishes are undeniably ornate, almost effeminate, but the declared services listed feel very… pragmatic. It speaks of a rapidly industrializing society trying to still cloak itself in artistry. Curator: Indeed, the composition is rigorously structured around that tension. The text, proclaiming Cross's multifaceted business, is centralized, forming a strong, legible core. Surrounding this, a riot of engraved florals—roses, foliage—creates a decorative frame. Notice how the lines oscillate in thickness, giving an almost tactile sense of depth. Editor: The symbolic elements point to social status. "Arms Found and Seals Engraved"—a service for the gentry—suggests an appeal to establish identity, and that they desired visual confirmation of their place within the hierarchy. This connects with the idea that visual displays held an enormous symbolic and social value in this time, an affirmation of identity. Curator: A relevant point, as we parse its function beyond simple commerce. The typography here acts as a sort of visual branding. Each word is meticulously rendered, not just to inform, but to project quality, to denote precision. The letterforms dance, almost creating movement upon a stationary plane. Editor: Exactly! And it is impossible not to consider the importance of maps during this time. Cartography, and by association Cross’s capabilities, ties the work to exploration and the expansion of empire; making it a bold proclamation about knowledge, reach, and power. Curator: In conclusion, what seems initially as mere advertisement reveals itself as a highly formalized expression, skillfully merging decorative style with pragmatic function. A considered attempt to project a persona into the market. Editor: And one imbued with the values of its time—status, precision, and a quest for dominance. It’s fascinating to see those aspirations etched in the delicate lines of a trade card.

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