Rustende figuren met twee honden langs een bospad 1630 - 1663

Anthonie Waterloo made this print, "Resting Figures with Two Dogs Along a Forest Path," using etching, sometime in the 17th century. Look closely, and you'll see that the etched lines vary in depth and thickness. The artist carefully controlled the amount of time the plate spent in the acid bath, and the pressure applied to the plate during printing. The controlled erosion of the metal, gives the print its remarkable texture and depth, almost like a drawing with ink. This image shows the Dutch countryside, and people traveling. In the 17th century, the Dutch Republic was a hub of global trade. Prints like this were a commodity, affordable and transportable. Etching allowed for a level of detail and nuance previously unseen in printmaking, bringing art to a wider audience. The artist here is not just depicting a scene, but participating in a wider economic and social fabric. This artwork is more than just an image; it is a testament to the ingenuity of craft, the impact of commerce, and the intersection of art and everyday life.