Pieter de Bailliu created this print of King Carloman II of West Francia, which now resides in the Rijksmuseum. The print not only depicts Carloman, but also actively constructs an image of kingship during a period of profound social and political change. Notice the inscription "Virtus Non Sanguis," or virtue, not blood. It suggests that Carloman’s right to rule comes from his actions rather than his lineage. This concept would have resonated in a 17th-century Europe grappling with questions of power and authority, influenced by the Protestant Reformation and the rise of new social classes. Portraits of rulers have always been tools to communicate power. De Bailliu’s print participates in this complex dance between the representation of a historical figure and the values of a changing society. How do we reconcile historical depictions with evolving notions of leadership and virtue?