From the series Old Judge Cigarettes by Goodwin & Company

From the series Old Judge Cigarettes 1888

0:00
0:00

drawing, print, photography, albumen-print

# 

portrait

# 

drawing

# 

print

# 

figuration

# 

photography

# 

genre-painting

# 

watercolor

# 

albumen-print

# 

realism

Dimensions: sheet: 6 1/2 x 4 3/8 in. (16.5 x 11.1 cm)

Copyright: Public Domain

Curator: I’m struck by the athlete’s stillness in this albumen print. The texture seems almost to drain all the action and animation right out of the figure. Editor: Goodwin & Company produced this albumen print, titled "From the series Old Judge Cigarettes," back in 1888. It resides here at the Metropolitan Museum of Art. This falls under genre-painting. Curator: It's fascinating how the near-monochrome tones affect the image. It certainly foregrounds line and form, giving it an abstract quality almost separate from its role as a sporting memento. He's less a figure of athletic prowess, more a collection of shapes caught within this formal frame. The composition feels remarkably self-contained, despite representing a figure in motion. Editor: Indeed, and considering these prints were packaged with Old Judge Cigarettes, the intent extends far beyond pure aesthetics. The Goodwin company mass-produced them as trade cards, exploiting the rising popularity of baseball to promote a product. The pose itself is calculated, a deliberate construction of the sporting ideal to enhance the brand's appeal, using the portrait for the American hobby. Curator: You're right. The materiality adds a crucial layer. The thinness of the paper and its integration with advertising—it disrupts any notions of "art for art's sake." What strikes me most is how the linear, almost etched quality flattens the perceived space, making it difficult to separate figure from ground. Editor: Certainly. What we see isn’t just a portrait of an athlete, it's the carefully constructed image within the cultural milieu of late 19th-century America, intertwined with marketing strategies and the commodification of leisure and sport. Notice how the pose reinforces prevailing ideals of masculinity, athleticism used to project corporate brand image. Curator: I leave contemplating the dual function: to be pleasing for viewing and a simple product, even something like semiotic opposition inherent between the idealized image and its presence in cigarette packets. Editor: Exactly. A potent reminder that the historical echoes extend into how we perceive this relic of Americana, as much about art history as business history.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.