Landscape with Rose Trellis by John Singer Sargent

Landscape with Rose Trellis 1886

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johnsingersargent

Private Collection

painting, plein-air, oil-paint, impasto

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tree

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sky

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painting

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impressionism

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impressionist painting style

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plein-air

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oil-paint

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landscape

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flower

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impressionist landscape

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nature

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impasto

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plant

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water

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painting painterly

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realism

Dimensions: 52.07 x 63.5 cm

Copyright: Public domain

Editor: So, here we have John Singer Sargent’s "Landscape with Rose Trellis," painted in 1886. The softness of the blooms against what appears to be a misty field definitely creates a dreamlike atmosphere. What stands out to you most in this piece? Curator: Ah, yes, the trellis... Or rather, what it hints at. It feels almost like we’re glimpsing a secret garden, doesn’t it? Sargent wasn't just painting what he saw; he was painting the feeling of being *there*, a whisper of a memory caught in fleeting light. What do you think about the perspective? It's neither a wide vista nor a tight close-up... Editor: I notice that! It is kind of cropped, actually. It makes it more intimate, maybe? Like a stolen moment. It's quite different from his portraits, I think! Curator: Exactly! Though those rapid brushstrokes aren't too different, are they? This almost looks unfinished – but purposefully so. He leaves space for us to wander in. Do you feel the impressionist ethos here? Think Monet or Pissarro. It's all about capturing a sensory impression, and less about precise detail. It also reminds me that beauty doesn't have to be loud; sometimes, it murmurs. Editor: Definitely impressionistic. The pinks almost melt into the green... I’m starting to think this might be less about the roses and more about a particular mood that he wanted to evoke. Curator: A mood, yes, but also a moment of pure visual delight. You see how that dark band of trees sits along the upper part, with that small band of sky on top of them, with those beautiful blues? It seems he delights in what's possible with oil paint and the movement it makes. A kind of painterly hush falls over everything. What will you take away with you, after this close look? Editor: I'll be thinking more about how artists use landscapes to convey a feeling more than a place. And definitely noticing how Sargent's brushstrokes work, even in places you wouldn't expect them. Curator: Wonderful! I’ll remember to look closer and find beauty in the incomplete.

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