Dimensions: overall: 35.6 x 45.8 cm (14 x 18 1/16 in.) Original IAD Object: overall: 17 1/2" high; bench: 24" long; 6 1/4" high; press: 11 1/4" long; 6 1/2" high; 4 1/8" wide; mold: 3" high; 4 1/2" wide; 1 1/2" long
Copyright: National Gallery of Art: CC0 1.0
Curator: Edward L. Loper, an American artist, crafted this piece around 1940. What strikes you immediately about it? Editor: Simplicity, I’d say. A nostalgic aura, almost romanticizing rural life. What’s the medium used in this particular rendering? Curator: The primary medium is watercolor, skillfully combined with drawing to delineate the forms. Though I think wood may have also been incorporated in some manner. Its formal style seems aligned to an academic tradition, don't you think? Editor: Indeed. The image presents more than just the wooden butter mold; it invokes archetypal symbolism—the earthiness, the nourishment… Butter carries significant cultural weight, representing abundance and comfort across numerous cultures. Do you see that manifesting? Curator: Yes, certainly. This artwork embodies the historical reverence for everyday objects, giving dignity to the implements of home. In this specific instance, this "Butter Mold" exemplifies a very strong connection to early industry and production in America, when more commonplace and 'simple' designs were prevalent. This imagery plays into notions of tradition and authenticity. Editor: Absolutely, there is something honest about it. Look at how he rendered the wood grain—each knot seems deliberate, lending an aura of authenticity. You mentioned that Loper was the artist; what exactly can you share about him, as an artist overall? Curator: Loper was celebrated for painting familiar scenes and objects around him in Delaware, and seemed preoccupied by light and capturing his familiar, yet sometimes obscured, surroundings. There is a specific appeal that has led his art to endure throughout the modern day, and why his works like "Butter Mold" can command such profound artistic impact, decades later. Editor: Agreed. This painting, so quiet and straightforward, carries the memory of countless kitchens and harvests. A tribute, perhaps, to a bygone era. Curator: A connection to those bygone ways of living seems particularly potent. We are, in a sense, looking into a preserved moment. Editor: Well, examining Loper's artwork really made me consider how common objects around our history often hold a hidden artistic impact, one worth remembering for the long term. Curator: It's the sort of thing that pushes me to reconsider our historical and modern connection. It's fascinating!
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