Doodskist van Thomas van Aquino wordt naar de Dominicaanse kerk van Toulouse gebracht 1610

Egbert Van Panderen's engraving depicts the transport of Thomas Aquinas's coffin to the Dominican church in Toulouse, rendered with fine lines and stark contrasts. The composition is structured by a procession moving diagonally across the scene. The foreground is dominated by figures of clergymen, their robes articulated with detailed folds, leading the eye towards the cityscape in the background. Van Panderen employs linear perspective to create depth, drawing the viewer into the unfolding event. The arrangement of figures and architectural elements guide the gaze, creating a visual narrative that underscores the solemnity and importance of the occasion. The use of light and shadow emphasizes the dimensionality of the figures. The engraving's formal structure serves to monumentalize this historical event, presenting it as a significant moment of religious and cultural transfer. It invites contemplation on themes of authority, procession, and the enduring legacy of intellectual and spiritual figures.