Red and White Plum Blossoms with Poem Slip c. 1810

Ryūryūkyo Shinsai’s "Red and White Plum Blossoms with Poem Slip" was made in Japan in the early 19th century, using woodblock printing, a technique known as *ukiyo-e*. The materials involved in this process – wood, paper, ink, and binding paste – are all derived from the natural world, each demanding specialized preparation. The woodblocks were carved in precise relief, allowing for the transfer of the image onto paper through careful application of ink. The paper itself, thin and absorbent, captures the delicate lines and subtle color variations of the print. The labor-intensive process of *ukiyo-e* reflects a collaborative effort of skilled artisans. From the initial design to carving, printing, and publishing, each stage requires expertise and precision. The finished print would have been widely circulated, catering to a growing urban audience with an interest in art and literature. Looking at it this way, we can see how materials, making, and context combine to give the print its meaning and value. By considering these factors, we move beyond traditional distinctions between art and craft.