Flora Walsh, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes by W. Duke, Sons & Co.

Flora Walsh, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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aged paper

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toned paper

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light pencil work

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print

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figuration

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photography

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Curator: This is a print featuring Flora Walsh, a figure from the “Actors and Actresses” series produced by Duke Sons & Co. in the 1880s, designed to promote their Duke Cigarettes. Editor: It has an unexpectedly whimsical feel! Despite the sepia tones suggesting age, there is almost an ethereal, fairy-tale quality. The cracked paper gives the whole thing a palpable sense of history. Curator: Absolutely, the intended circulation through cigarette packs shaped both its form and reception. Tobacco companies strategically leveraged popular figures to elevate their brands amidst rising consumer culture. This trading card became a social object. Editor: She is seated rather casually, amid garden steps overgrown with greenery, clutching a posy. What symbols resonate here? The natural world surrounding her emphasizes freshness and youthful beauty, perhaps idealized in a way to appeal to smokers of the era. Curator: I agree. And Flora Walsh was, of course, not just a symbol. Celebrities were essential to marketing endeavors. They were both figures of aspiration and approachable icons, helping everyday citizens feel closer to their heroes via commercial items. Editor: And cigarette cards were enormously popular, with the celebrity angle creating something between a commercial exchange and an exchange of social values, an endorsement both shallow and powerful. Curator: Consider that Flora Walsh, the actress, likely had very little agency over this image. It raises interesting questions regarding commodification and the celebrity culture of that time. What impact did the circulation of this print have on her professional trajectory or public image? Editor: It is really thought-provoking when looking at these cards outside their original context. What stories of fleeting fame and personal transformation are embedded? It becomes an artifact as much of human psychology as of a specific industry or a particular person's history. Curator: Indeed. By viewing such pieces, we learn not just about commercial techniques or individuals, but also about evolving notions of value, beauty, and celebrity within an increasingly industrialized society. Editor: I’ll definitely be taking another look at it, trying to see the ways it reflected desires then, and still fascinates today.

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