16-Armed Starfish by Alexander Calder

16-Armed Starfish 1966

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acrylic-paint

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pop art

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colour-field-painting

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acrylic-paint

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abstract

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geometric

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art-informel

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line

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modernism

Curator: This is Alexander Calder's "16-Armed Starfish," painted in 1966. Calder, of course, is renowned for his mobiles and stabiles, but here we see him exploring the two-dimensional possibilities of abstraction with acrylic on paper. Editor: My first impression? Playful chaos. The color palette is bold—primary colors, stark black—and the composition feels simultaneously structured and entirely spontaneous. There is this sort of child-like, direct quality to it. Curator: Absolutely. And thinking about the material choices – the use of acrylic allows for vibrant colors and quick drying times, facilitating this sense of spontaneity you noted. But beyond aesthetics, acrylic paints offered new avenues for artists in the mid-20th century as a commercially available and increasingly affordable medium. This, for example, influenced artistic production and the availability to create. Editor: It's fascinating how the choice of materials informs not just the appearance of the piece but also its accessibility and cultural impact. Speaking of impact, there’s something undeniably optimistic about this work. Considering the social and political turbulence of the 1960s, what role do you see artworks like "16-Armed Starfish" playing in the wider culture? Curator: Good question! Calder was very interested in geometry and these hard-edge lines against what appears to be blotting from perhaps the watercolor underneath really reflects the tension during the era, playing with the sense of utopia vs. reality. It served, I would say, as a reminder of possibility – a vibrant, abstracted vision to escape the stark realities, through an acceptance of simple materiality to engage in playful aesthetics. This is most pronounced if one examines this painting alongside his wire sculptures. Editor: I agree. Looking at the dripping, for example, I had not considered that technique beyond its mere material qualities and processes. These details remind us that materials can act as tools to push against the conventional and reveal broader cultural themes and discourses. I appreciate this painting's raw look into an evolving socio-economic era. Curator: And on that note, the accessibility of his painting serves to question art and the system from which it rises. Well, this has been a wonderfully insightful look at a playful painting.

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