Dansende vrouw zwaait met haar rok 1863

This drawing by Felicien Rops, housed in the Rijksmuseum, captures a dancing woman mid-swirl, her skirt billowing around her. The gesture of the swirling skirt is not merely decorative; it echoes a primal, almost Dionysian impulse. We see it echoed through history: from the ecstatic maenads depicted on ancient Greek pottery, their garments swirling in wild abandon, to the whirling dervishes of Sufi tradition, whose spinning is a path to spiritual transcendence. The skirt becomes a symbol of release, of shedding constraints and embracing a state of heightened emotion. In each iteration, the spinning form carries a different cultural weight, yet the underlying impulse remains constant: a striving for something beyond the mundane, a reaching for ecstasy. This motif resurfaces, evolves, and is reborn, ever imbued with the power to stir deep within us.