Noord- en Zuid-Hollandsche Redding Maatschappij by Anonymous

Noord- en Zuid-Hollandsche Redding Maatschappij 1824

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print, metal, relief, sculpture, engraving

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portrait

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neoclacissism

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print

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metal

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relief

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ancient-mediterranean

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sculpture

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ceramic

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decorative-art

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engraving

Dimensions diameter 4.1 cm, weight 332 gr

Curator: Here we have an engraving of a metal relief piece, "Noord- en Zuid-Hollandsche Redding Maatschappij," dating back to 1824. It looks like a commemorative coin or medal. What catches your eye about this piece? Editor: Its stark simplicity, honestly. Like a blank slate but with all this weighty history etched into its circumference. And a bit severe...you feel the responsibility, don't you? Or am I just projecting? Curator: The context does lend a serious tone. The "Noord- en Zuid-Hollandsche Redding Maatschappij" was a life-saving society, so this piece likely functioned as an award for bravery or service. It connects the metal and the engraving process directly to notions of labor and public duty. Editor: See, responsibility! It feels so… neoclassical. Look at that laurel wreath. Timeless, yet this medal feels oddly grounded, if you know what I mean. Probably from all the craftsmanship. I love how it embodies its function. Almost zen. Curator: Exactly! The very material signifies value. The relief's repetitive forms, oak leaves maybe? also speaks volumes, hinting at a structured, possibly hierarchical society and collective responsibility for each member. It's not just pretty. It served a function. It meant something within that community. Editor: Though I wonder about its maker—their hands, their life and labor—you know? Someone meticulously shaping metal to honour… well, to literally commemorate deeds. That feels intensely intimate somehow. Curator: Absolutely, understanding the artisanal process enriches our interpretation. By looking closely at such functional objects like this medal we acknowledge the labor embedded in art production as it serves symbolic value. Editor: Looking closer now, even this so-called simple form contains worlds, each meticulously tooled. A beautiful interplay indeed of art and history. It really is a marvel to behold, thinking about the dedication involved. Curator: Agreed, by considering process and history we gained so much more than we came expecting to find in this unassuming relief.

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