Portret van Johannes Wolf 1597 - 1599

Robert Boissard created this print of Johannes Wolf in the 17th century using etching, a process that allowed for the detailed reproduction of images. Prints like these served important social functions during this period. This image frames Wolf within his intellectual roles: theologian and philosopher. The Latin inscriptions further emphasize his contributions to both religious and civic life, suggesting a society where intellectual pursuits were highly valued and integrated into the community. Made in Switzerland, this print reflects the cultural emphasis on education and religious scholarship during the Reformation. It is interesting to consider how such prints circulated within intellectual and religious networks. Who was the intended audience for this image? Was it meant to honor Wolf, or to promote specific religious or philosophical ideas? To understand its significance fully, we might look at biographical accounts of Wolf and records of the institutions with which he was associated. Such research could reveal more about the social and intellectual context that shaped the meaning of this portrait.