Untitled 1971

Editor: This mixed media work on paper is called “Untitled,” created by Simon Hantai in 1971. It has a very intriguing texture, almost like crumpled fabric with colorful light shining through it. What do you see in this piece? Curator: I see a fracturing of the familiar, a symbolic breaking down of form that speaks to a search for new meaning. The folds themselves become glyphs, potent symbols. The colors bleeding through could be seen as repressed emotions seeking release, struggling against the imposed structure. Do you sense any feeling of confinement? Editor: I do see that. It almost feels trapped. But where does the "new meaning" come in? Curator: The act of folding itself is laden with meaning. Think about ancient divination practices – folding paper, casting lots. Hantaï perhaps saw the act as a way to generate unforeseen outcomes, a new visual language born from controlled chance. The overlapping shapes suggest a complex network – a visual metaphor for memory, constantly layering and re-configuring itself. What resonates most with you? Editor: The idea of controlled chance is interesting. I also find the link to memory really compelling. I hadn't considered the folding as symbolic, more as a formal choice. Curator: Precisely! Form and content are inseparable. Reflect on how cultural memory might inform even abstract gestures. Editor: That's given me a completely different perspective on abstraction! Curator: Art expands as you discover and contemplate visual language.