Bradamante by Antonio Tempesta

Bradamante 1597

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print, engraving

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portrait

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print

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mannerism

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figuration

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history-painting

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engraving

Dimensions height 141 mm, width 96 mm

Curator: Here we have Antonio Tempesta’s “Bradamante,” an engraving from 1597. At first sight, one gets the immediate sense of power; the warrior seems poised and commanding atop her steed. Editor: It feels staged, somehow. Like a Renaissance cosplay photoshoot, you know? All the elaborate costume detail... it's striking but almost fantastical. It does remind me of reading Orlando Furioso, full of such characters. Curator: Absolutely, it aligns perfectly with Mannerist sensibilities. Note the emphasis on elegance and stylized form, even in something that alludes to military prowess. It’s not about raw force, but controlled, almost theatrical presentation of strength. Look how the lines create a dynamic texture, a rich interplay of light and shadow despite the simplicity of the medium. The texture gives so much depth. Editor: Yes, the engraver’s detail is quite intense— the horse seems to almost writhe under the armor, despite the controlled pose of the rider. All those fine lines suggest real weight, real metal… or maybe just the illusion of it all. I imagine what this was made for: did these have a function, beyond their aesthetic one? Who purchased these, I wonder? Curator: That is the fascinating intersection of form and cultural function. Such prints often served as visual emblems of virtue, historical allegories intended for display but were collected, bound into books or framed as individual images of role models. Here, we see the celebration of Bradamante, valorous and heroic. Editor: "Bradamante Valorola" the print tells us! It has that grand air of, dare I say, propaganda. I get lost wondering about her intent in her faraway stare, though. I suppose if she is a knight or Amazon, intent should be fixed somewhere far beyond what lies in my imagination! Curator: Indeed. That focused gaze, the pointing gesture, directs us beyond the immediate frame, urging us to follow her vision. A symbol, as any work of art! Editor: Right. That really makes one consider all the elements and textures in terms of purpose—a real semiotic framework. Thanks! Curator: My pleasure, what a rich piece for reflection and exploration. Thank you!

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