Bataafsche Maatschappij tot Nut van 't Algemeen, penning uitgereikt aan Cornelis Hogendoorn 1798 - 1806
metal, relief, sculpture, engraving
portrait
neoclacissism
metal
relief
sculpture
engraving
Curator: This exquisite silver medal was awarded to Cornelis Hogendoorn by the Bataafsche Maatschappij tot Nut van 't Algemeen sometime between 1798 and 1806. The design and engraving are credited to Johan George Holtzhey. Editor: Wow, it has a stoic, almost frosty aura about it. I see Britannia offering a scroll. What's the inscription? "Tot Nut van 't Algemeen"? Something like "For the Benefit of All"? It feels a bit…distant, you know? Curator: That’s right, translating to "For the Benefit of the Public." This medal and organization represent a specific moment within the Batavian Republic. The society aimed to promote Enlightenment ideals through education and civic virtue, aiming for societal reform during a turbulent time in Dutch history. We can't ignore the context of revolutionary France casting a long shadow. Editor: So, a well-intentioned bunch hoping to usher in progress, a little high-minded maybe? I get it. The kneeling figure, presenting whatever's in his hands - maybe a plea for something? Or handing in an assignment? Curator: I'd say his kneeling gesture denotes allegiance and gratitude. This references civic duty and reward within a particular hierarchical framework. Britannia bestows honor – underscoring prevailing social structures despite Enlightenment rhetoric of equality. The symbolism works to affirm authority. Editor: Britannia looks unenthusiastic though; burdened by her role. That almost overgrown laurel tree behind her hints at shadows. She’s a far cry from liberated, let's just say that, there's such a stiff quality about her, even within that supposed classical framework. I mean that's fascinating because it doesn't feel triumphant in the least. Curator: Right. Let's also consider that during the Batavian Republic, interpretations of "the public benefit" were often aligned with the interests of a specific, educated, and often bourgeois elite, excluding vast portions of the population. That impacts my viewing of it now too. Editor: It definitely adds another layer – a quiet resistance even built into a piece ostensibly about civic virtue. Makes me wonder what Cornelis Hogendoorn *really* thought about this medal. I am quite glad we walked through it in this manner, though. Curator: Agreed; acknowledging historical complexities reveals hidden narratives that we should grapple with as we examine this and other works.
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