Aften. En bonde på vej hjem fra marken by Edvard Petersen

Aften. En bonde på vej hjem fra marken 1888

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plein-air, photography

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black and white photography

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plein-air

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landscape

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black and white format

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photography

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black and white

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monochrome photography

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genre-painting

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monochrome

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realism

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monochrome

Dimensions: 85.5 cm (height) x 126.5 cm (width) (Netto)

Editor: Here we have Edvard Petersen’s “Aften. En bonde på vej hjem fra marken,” made in 1888. The photograph evokes a quiet sense of toil and perhaps the weariness of day's end, wouldn't you agree? How do you interpret the symbolic weight of such a seemingly simple, agrarian image? Curator: Indeed. What resonates deeply with me is the symbolic representation of man's relationship to the land. Notice the stooped posture of the farmer. This isn't just a realistic depiction of physical fatigue, but perhaps symbolizes humanity's burden – our ancient pact with the earth to till and cultivate. Editor: I hadn't thought of it that way, I saw it more as a snapshot in time... But that's a fascinating point. Curator: And consider the field itself – a symbol of sustenance, but also of cyclical return. Each harvest carries echoes of countless harvests past. Look closer and ask yourself, what is suggested through the use of monochrome and sparse background elements? Editor: The starkness, maybe? It emphasizes the isolation, and it certainly underlines the timelessness of the image, divorced from the distractions of colour. Curator: Precisely. The photograph’s symbolic language creates an intimate, shared history. We are, in effect, invited into this cultural memory. Editor: This makes me reconsider photography. Instead of simply documenting what's there, it can be powerful. I like the way Petersen frames his subject in his reality. Curator: That is how Petersen can talk to future generations. A tangible history frozen. Editor: I’ll definitely be contemplating the hidden language within these sorts of images. Thank you!

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