Eerste triomfboog in de Faubourg Saint Antoine tijdens de Blijde Intocht van koning Lodewijk XIV van Frankrijk en zijn vrouw Maria Theresia in Parijs 1660 - 1662

Jean Marot made this print depicting the triumphal arch in the Faubourg Saint-Antoine for Louis XIV’s arrival in Paris. Royal entries like these were orchestrated displays of power, solidifying the king’s image through ceremonial routes and temporary architectural spectacles. Here, Marot captures the blend of classical grandeur and contemporary design, meant to impress and awe the public. The arch itself, adorned with sculptures and inscriptions, acted as a symbolic gateway, framing Louis XIV as a modern-day emperor. It reflects the absolutist aspirations of the French monarchy during the 17th century. Constructed for a single event, this temporary structure embodies the use of art and architecture to reinforce political authority. Understanding this image requires looking at court records, urban plans, and the writings of royal propagandists. Art isn't created in a vacuum; it’s part of an ongoing dialogue between artists, patrons, and society, each influencing the other.