Paard van een helling aflopend by Antonio Tempesta

Paard van een helling aflopend 1565 - 1630

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drawing, pen, engraving

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drawing

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pen sketch

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landscape

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mannerism

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figuration

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form

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pen-ink sketch

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horse

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line

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pen

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engraving

Dimensions height 45 mm, width 66 mm

Curator: This drawing at the Rijksmuseum, "Paard van een helling aflopend," or "Horse Walking Down a Slope," is attributed to Antonio Tempesta, and probably dates from between 1565 and 1630. Editor: My first thought? He looks… burdened. Really struggling against gravity. The stark, almost skeletal line work amplifies that sense. Curator: Indeed. Tempesta, though Italian, was deeply influenced by Northern Mannerism, characterized by elongated forms and dynamic compositions. This piece, rendered in pen and engraving, showcases that tension between elegance and strain. He wasn’t simply capturing a horse; he was exploring form itself. Editor: It’s fascinating how such simple lines—really just the basics—capture such a complex feeling of exertion. Was this study for something larger? It feels incredibly… personal. Curator: Likely, yes. Tempesta produced a prodigious amount of prints and drawings, often studies for larger paintings or engravings intended for wider circulation. Consider the social context; the late 16th and early 17th centuries witnessed a surge in equestrian imagery, reflecting the importance of horses in warfare, agriculture, and aristocratic display. This piece may tap into the socio-political implications of owning a powerful, trained animal, especially considering this is the posture of a horse that has clearly been domesticated and trained. Editor: So this image carries all that weight? Wow. Still, there's something so deeply touching about seeing this animal’s struggle so clearly etched onto the page. Makes you think about resilience. Curator: I concur. Tempesta allows us to contemplate more deeply the symbiosis between human action and the physical world through the dynamic figure of a single, struggling animal. Editor: I came for art history, and all I got was feelings! Curator: Precisely the point, wouldn't you say? A piece so simple can evoke an ocean of introspection and historical reflection.

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