Christus met kruisvaandel maakt zegenend gebaar 1517 - 1527

Curator: Here at the Rijksmuseum, we have an engraving titled "Christus met kruisvaandel maakt zegenend gebaar," or "Christ with a Banner of the Resurrection Giving a Blessing" by Marcantonio Raimondi, dating back to between 1517 and 1527. Editor: The first thing I notice is the fine line work, creating depth in Christ’s robes and banner; the overall effect is rather solemn and commanding. Curator: Raimondi, though Italian, heavily influenced art and printmaking in Northern Europe with pieces like this. Prints allowed for wider dissemination of imagery, and played a key role in artistic exchange and religious instruction in the Reformation era. Editor: Looking closer, I'm drawn to the symbology. The banner of the cross, a traditional symbol for the resurrection, represents victory over death, right? And the raised hand...it's a gesture of benediction, bestowing a blessing. This composition is laden with meaning meant to invoke hope and redemption. Curator: Exactly, the image draws from a long tradition of religious art intended to visually reinforce core theological ideas. Beyond faith, this image highlights shifting artistic and societal landscapes. Printmaking's rise democratized access, challenging the monopoly previously held by the Church and wealthy patrons on the imagery available to the people. Editor: I see it. Also, note the detail in the face. The slightly down-turned mouth seems to carry all of humanity's suffering, all the while giving blessing. This is about something more than faith; the banner he holds also refers to a sense of humanity as blessed. Curator: It is also fascinating how Raimondi draws the viewer in despite this image existing solely as a black-and-white print. This reflects an era where art becomes intertwined with wider sociopolitical changes. Editor: In terms of lasting power, this one single image speaks to generations because Raimondi was brilliant at combining symbols of hope. The blessing gives hope to anyone, regardless of whether they have faith. Curator: Yes, exactly. Looking back, it is hard to overlook the potent interplay between art, technology, and societal change happening. Editor: Indeed, one print can truly reflect an epoch's hopes and conflicts!