Seven Designs for Decorated Plates 1845 - 1855

Editor: This is "Seven Designs for Decorated Plates," created between 1845 and 1855 by Alfred Henry Forrester. It’s a watercolor and print drawing. I'm immediately drawn to the repetitive patterns and how they seem to almost vibrate with a sense of controlled energy. What stands out to you? Curator: The circular format immediately connects to ancient traditions, from mandalas representing the cosmos to simple devotional acts of repeated form and symbolism on plates. Consider how each design serves as a microcosm, reflecting societal aspirations for harmony, order, and perhaps even prosperity, all held within something as domestic as a plate. Does any specific design resonate with you? Editor: I'm particularly interested in the plate with the blue and white design—it reminds me of Islamic art. Does that style hold any significance in this context? Curator: Absolutely. The arabesque elements tap into a deep well of cross-cultural exchange, and it’s possible this aesthetic choice isn’t merely decorative. It may express an openness towards other cultures and incorporate their visual languages, suggesting the owner held certain liberal views, a form of quiet rebellion and acceptance of global art and influence through patterns and form. How do you feel this intersects with today’s aesthetics? Editor: It's amazing to think that something so everyday could carry so much meaning! I think we often underestimate the symbolic power of ordinary objects, then and now. I hadn't thought about how owning this sort of thing implies tolerance, let alone subtle protest. Curator: Precisely. These plates go far beyond mere functionality. They act as visual talismans, subtly shaping the atmosphere and perspectives within a home through symbolism and everyday iconography. Each carefully rendered pattern functions almost like a quiet narrative.