Dimensions: support: 930 x 775 mm frame: 1100 x 935 x 75 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Joseph Wright of Derby's portrait of Thomas Staniforth of Darnall, Co. York, currently residing at the Tate. Editor: It's so grounded, isn’t it? The dark palette, the almost stern gaze... it feels like a solid statement about a man of industry. Curator: Exactly. Wright was brilliant at capturing the rising middle class, showing their connection to manufacture through subtle visual cues like the papers Staniforth holds. Editor: Those papers! Like a promise of work, or maybe a stack of hard-earned receipts? It makes you wonder about the labor behind his success. Curator: Absolutely, and Wright's own background in Derby, a hub of industrial innovation, informs this realistic portrayal of a man deeply connected to his trade. Editor: Well, it certainly provides a down-to-earth counterpoint to those frilly aristocratic portraits! I appreciate Wright's blunt honesty here. Curator: Indeed. This image is a powerful depiction of a changing society where wealth was increasingly tied to production and trade. Editor: Thinking about that gives me a new appreciation for how Wright turned an ordinary subject into a mirror reflecting a pivotal era.
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http://www.tate.org.uk/art/artworks/wright-thomas-staniforth-of-darnall-co-york-t00794
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Thomas Staniforth looks directly out at the viewer, casually leaning against the chair back with papers in hand. He gives the impression of a confident, forthright businessman. In fact, Staniforth was one of Liverpool’s most prominent slave traders, investing in at least 71 slave ships between 1757 and 1798. Joseph Wright was based in Liverpool from 1768–71, by which time it was Britain’s main slaving port. He benefitted from the city’s growing wealth: many of his clients were merchants who, like Staniforth, profited from the slave trade. Gallery label, April 2023