Angel 1750 - 1799

Editor: This is “Angel,” made sometime between 1750 and 1799. It’s currently held at the Metropolitan Museum of Art. I'm struck by the pastel colors of the figure; the way the sculptor has captured what looks to be billowing fabric. What do you see in this piece? Curator: What interests me most is how the sculptor utilizes asymmetry to create visual interest. The draped blue fabric on the right provides a counterpoint to the angel’s body and the delicate wings. Note, too, the carefully articulated surface textures—the smoothness of the skin, contrasting with the wrinkled drapery and feathered wings. Editor: Yes, the contrast is quite evident! It makes you want to touch the sculpture to compare the textures for yourself. Curator: Exactly! And consider how the cascading lines of the incense burner and the fabric both direct the viewer’s eye downwards, then the eye travels back up, along the curve of the angel’s body. Do you find the planes recede from the chest towards the outstretched foot? Editor: I do, now that you mention it. It's interesting how such gentle color contrasts allow you to see that depth! What’s your overall impression? Curator: I’m fascinated by how the artist employed Rococo decorative art principles of elegance and grace through subtle manipulations of form and surface, to enhance the work. The sculpture really invites a close reading of its aesthetic properties. Editor: I see what you mean. Thinking about the structure makes me appreciate the care with which it must have been made. Thanks for your insight. Curator: My pleasure. I'll never look at Rococo decorative art the same way!