Solidus of Heraclius, Constantinople 639 - 641

Editor: Here we have a gold Solidus coin of Heraclius from Constantinople, by Abd-al-Malik. The figures on one side seem rigidly posed. What strikes you about the composition? Curator: Observe how the die engraver has created depth using only subtle variations in line and plane. Note also the deliberate geometric organization; how each figure relates to one another in carefully considered spatial relationships. Editor: So, it's more about the arrangement than the individuals portrayed? Curator: Precisely. The weight of the gold and the implied power of the state are communicated through these formal properties. Consider the texture, the weight, and the symbolic function all harmonizing into one piece. Editor: I see it now, the arrangement gives it a sense of permanence and importance. Curator: Indeed. A lesson in how form elevates function.