Dimensions: support: 445 x 362 mm frame: 590 x 500 x 90 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Gainsborough Dupont, painted by his uncle, Thomas Gainsborough. What strikes you first about this portrait? Editor: That gaze… it's so direct, yet there's a vulnerability there. And the hair! It’s like a halo of raw energy. Curator: Hair as a symbol of untamed spirit, absolutely. Gainsborough was a master of capturing likeness, but also character. The soft, feathery brushstrokes suggest an almost dreamlike state. Editor: There's a tension, isn't there? The formal attire suggests a world of rules, yet the subject's expression hints at something rebellious simmering beneath. Curator: Perhaps a foreshadowing of the changing times. We're at the cusp of revolutions, after all. A moment caught, before the storm. Editor: It makes me wonder about the relationship between uncle and nephew. Was this a moment of profound connection, a desire to see and understand? Curator: A touching sentiment. Art freezes moments, but more than that, it allows us to feel them, decades and centuries later. Editor: Indeed. It is a poignant reminder of human connections across time.
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http://www.tate.org.uk/art/artworks/gainsborough-gainsborough-dupont-n06242
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Gainsborough Dupont (1754-1797) was the eldest son of Gainsborough's sister Sarah, and Philip Dupont. Apprenticed to Gainsborough from 1772 until 1788, the year of the elder artist's death, Dupont was the only assistant Gainsborough ever employed; for unlike Reynolds, he neither ran a large studio nor trained large numbers of pupils. Dupont painted pictures in Gainsborough's style, and these are still sometimes confused with those of his master. Although this portrait is barely more than a sketch - the clothing for example is very summarily rendered - Gainsborough has nevertheless managed to convey a sense of his nephew's diffidence, remarked on by contemporaries. Gallery label, August 2004