William Norton Bullard (1853-1931) 1874 - 1875

Editor: So, this is a portrait of William Norton Bullard, a mounted photograph by William Notman. It has an interesting sepia tone. What does the production process of this photograph tell us? Curator: Well, we can immediately consider the economics of studio portraiture in the late 19th century. The materials, the printing process, the labor involved—these all speak to a specific class dynamic and the rise of a visual commodity. How did this object circulate, and what role did it play in constructing identity? Editor: That's fascinating. So, it’s not just about capturing a likeness, but also about the social implications of that capture? Curator: Precisely. The material existence of the photograph, the studio's brand stamped at the bottom, connects to the broader economy of image-making and consumption at the time. Editor: I never thought about it that way before. Thanks! Curator: It is another way to engage with art.