Crucifixion with a Crowd of Supplicants by Attributed to Bertolino de' Grossi

Crucifixion with a Crowd of Supplicants c. 1425 - 1464

tempera, painting

medieval

narrative-art

tempera

painting

figuration

history-painting

international-gothic

italian-renaissance

italy

miniature

"Crucifixion with a Crowd of Supplicants" is a miniature painting attributed to Bertolino de' Grossi. It depicts Christ on the cross with a crowd of people praying below. The scene is enclosed in a circular frame with a starry blue background. The miniature is part of a larger illuminated manuscript. It is an example of the Italian Renaissance style and depicts the passion of Christ in a way that is both devotional and visually appealing. The ornate border of the page is an integral part of the composition and helps to draw the viewer's eye to the central scene. This work is in the collection of the Minneapolis Institute of Art.

Comments

minneapolisinstituteofart about 1 year ago

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As stated in the heading, this hymn was sung during the service of vespers (about 4:30 p.m.) held on Sundays in Advent, the period of spiritual preparation observed during the four weeks preceding Christmas. The music accompanying the text is written in the Gregorian system then in general use for liturgical choral music, using box-like notations on a four-line staff. The first word of the hymn, "conditor," (maker or creator) begins with an historiated initial: an enlarged letter containing a narrative scene. This letter C shows the Crucifixion of Christ, flanked by angels, on the hill of Golgotha (or Calvary), symbolically identified by the skull. The border of acanthus scrolls and gold balls, with cusped quadrefoils at the corners, is a characteristic type of border decoration found in manuscripts produced in northern Italy in the late 14th century. At this time Padua and Milan were thriving centers for the production of illuminated manuscripts under the patronage of Giangaleazzo Visconti, who reigned as Duke of Milan from 1385 to 1402.