Series 40cm D 1965

Curator: Gordon House, born in 1932, created "Series 40cm D" using screenprint methods, a piece held at the Tate. Editor: It's immediately striking. There's something almost mask-like in the geometric configuration, these bold colours held within darker quadrants. Curator: House was deeply involved in the British abstract art scene. Screenprinting allowed artists a democratic medium, capable of mass production and challenging the elitism of traditional art forms. Editor: The semi-circular forms evoke stylized eyes, or perhaps even feathers. This piece blends hard-edged abstraction with a sense of ritualistic symbolism, reflecting patterns in the natural world. Curator: Consider the socio-political implications: accessible art for a wider audience versus the cultural establishment's preference for unique artworks. Editor: It's a powerful tension, isn't it? I'm left pondering how these abstract shapes and colors speak to deeper human experiences. Curator: Indeed, a fascinating piece that speaks volumes about the changing role of art in society.