Heilige Martinus van Porres c. 1852 - 1900

Michel Vermeiren created this print of Heilige Martinus van Porres, or Saint Martin de Porres, sometime in the 19th century. It's a classic example of religious iconography, yet we can still ask what the image contributes to the perception of the man. Martin de Porres lived in Peru at a time when the social hierarchy was deeply influenced by race. He was of mixed Spanish and African descent, and despite facing discrimination, he joined the Dominican Order. His dedication to the poor and sick, regardless of their background, eventually led to his canonization as a saint. The image of Martin, with his halo, crucifix, and alms purse, reinforces the Catholic Church's institutional role in shaping the narrative of sainthood, but it also subtly challenges racial prejudices. The image has the function of promoting specific ideas and values, such as charity and piety. By looking into archives of the Dominican Order, the artist's background, and the social history of 19th-century Peru, we can better understand how this image functions in its cultural context. The meaning of the artwork lies not only in its aesthetic qualities but also in the complex interplay of social and institutional forces.