Brief aan een commissie voor een verloting by Jeanne Maritz

Brief aan een commissie voor een verloting Possibly 1861 - 1863

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drawing, paper, ink, pen

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drawing

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paper

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ink

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pen-ink sketch

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pen work

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pen

Copyright: Rijks Museum: Open Domain

Curator: We are looking at a piece titled "Brief aan een commissie voor een verloting" which roughly translates to "Letter to a committee for a lottery", made between 1861 and 1863 by Jeanne Maritz. The media are listed as drawing, specifically pen and ink on paper. Editor: It appears rather muted at first glance. A sheet filled with neat script. Its pale ground with dark graceful strokes holds a somber tone, doesn't it? Curator: Absolutely. Consider the context: a formal letter offering a painting, likely a landscape, for a lottery. Lotteries in this era often funded charitable causes. This act of donation speaks to a sense of civic duty, doesn't it? Editor: It does, but the precision of the lettering is equally interesting. There’s a contrast in the almost utilitarian quality of the document. Curator: The script itself is quite beautiful, hinting at refinement, even elegance. But notice how this letter subtly blends the formal with a personal appeal. Editor: It is the type of refined penmanship taught at academies, but the handwritten form makes the offer less formal and institutional, and that affects our understanding today. It becomes less of a commercial exchange and more of an offering. Curator: That’s well-observed. Its message extends beyond the literal. By donating artwork, Maritz not only participates in community support but subtly positions herself within the art world. It reflects well. Editor: Exactly. The letter presents an offering but also reinforces notions of her reputation, as both artist and philanthropist. The gesture embodies a whole network of social values beyond pure artistic assessment. It acts like a symbol. Curator: Indeed. It embodies a time capsule encapsulating both cultural practices and personal intent through simple materials. A window into another world of artists. Editor: Leaving one with a lingering impression of a world balancing both social refinement and a pragmatic art ecosystem. I find it all the more compelling now.

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