Dimensions: support: 352 x 502 mm frame: 490 x 665 x 80 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Ebenezer Newman Downard’s "A Mountain Path at Capel Curig, Wales" captures a rural scene. Editor: It feels so immediate. The path leads the eye, but it’s the girl with the bundle that really draws me in. Curator: The presence of the girl, with her labor evident in her posture and equipment, speaks to the realities of rural life and labor. The presence of sheep suggests a specific agricultural context. Editor: Sheep often symbolize innocence or a connection to nature. The lone lamb on the hilltop almost feels like a watchful guardian. Curator: Indeed, and Downard, who sadly died very young, likely sought to evoke a sense of idealized pastoral life. This work becomes a testament to the relationship between people and their environment. Editor: The symbols of work and innocence certainly intertwine, offering a poignant glimpse into the Welsh landscape. Curator: It leaves us with a quiet reflection, doesn't it? Editor: It does, on simplicity and survival.
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http://www.tate.org.uk/art/artworks/downard-a-mountain-path-at-capel-curig-wales-t01139
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Downard was a genre and landscape painter who exhibited his work at the Royal Academy between 1849 and 1889. In their use of meticulous detail and clear, bright light, some of his landscapes show the influence of the Pre-Raphaelite painters, in particular William Holman Hunt (1827-1910). Gallery label, September 2004