Zoeloevrouw met baby op de rug maalt graan met de hand in Zuid-Afrika by JEM

Zoeloevrouw met baby op de rug maalt graan met de hand in Zuid-Afrika c. 1880 - 1910

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gelatin-silver-print, photography, gelatin-silver-print

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portrait

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african-art

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gelatin-silver-print

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photography

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gelatin-silver-print

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realism

Dimensions: height 138 mm, width 190 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, there's such a weight to this photograph, isn’t there? Look closely. We have here a gelatin silver print, dating roughly from 1880 to 1910. It's entitled “Zoeloevrouw met baby op de rug maalt graan met de hand in Zuid-Afrika” which translates to "Zulu woman with baby on her back grinds grain by hand in South Africa." Editor: A study in contrasts, really. The geometric perfection of that traditional Zulu home – a complete contrast to the rounded, vulnerable forms of mother and child, grinding meal outside the front door. There's a stoicism etched on her face, a sense of deep focus and commitment. I get an almost biblical impression. Curator: Biblical, that’s fascinating! For me, that dwelling is absolutely primal: the woven structure harkens back to something inherent in the human spirit: we need shelter, family and purpose. Editor: And the action of grinding, so rhythmic, repetitive...like an invocation, or a kind of meditation. It's amazing how a mundane daily act can appear imbued with such powerful spiritual implications. Don't you feel she’s sort of trapped in place with the heaviness? There is something so permanent and stable here… but it's almost unsettling to my modern eyes! Curator: Trapped, perhaps...but isn’t it interesting how such a straightforward genre painting, really a study in realist art, has the feeling of so much art of the indigenous people of Africa and America combined…the earth tones, the human shape mimicking its landscape home. Editor: I do wonder what symbols within this photograph escaped us due to the cultural differences between now and then. She has all of these responsibilities, that look heavy and endless! I am so impressed. But if she knew the portrait was going to be shared here, what would she think? Curator: That's precisely the question, isn't it? What does her image mean outside her immediate world, floating in an entirely different space? I think it serves as an acknowledgement that women carry entire civilizations on their backs… in that sense she is like every woman who has carried that weight, timeless, grounded in truth. Editor: Yes, so while it makes me wonder about all the hidden histories, there’s undeniable force. A connection to lineage, resilience... It resonates.

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