Landskab fra Mols med får by Louise Ravn-Hansen

Landskab fra Mols med får 1893

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print, etching

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print

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etching

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landscape

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genre-painting

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realism

Dimensions: 187 mm (height) x 276 mm (width) (plademål)

Curator: So here we have "Landscape from Mols with Sheep," an etching from 1893 by Louise Ravn-Hansen, preserved here at the SMK. There's a beautiful, serene quality about it, isn't there? Editor: Absolutely. My immediate feeling is… calm. The sheep dotting the landscape give it this pastoral, almost timeless feel. There’s something very comforting in its simplicity, although… maybe a touch melancholic? Curator: It's interesting you say that. The use of etching really enhances that, doesn’t it? It’s not quite photographically real, but the technique conveys so much depth. What's fascinating to me is how these very common images of farm animals evoke something much bigger. It recalls that age-old relationship between humans and animals within a natural environment, that feels fragile somehow. Editor: The sheep act almost as symbols, don't they? Linked perhaps with themes of innocence, perhaps a kind of sacrificial association through religious symbolism and collective history. There’s a simplicity, yes, but underneath it, these ancient archetypes resurface, they’re grazing beneath the surface. Curator: That resonates so deeply. Look at the clouds, so airy yet full of promise – it's a familiar theme from the Romantic period, that is later expressed via a Realist artistic interpretation. What you find underneath is that dialogue between what exists in the present moment and the eternal, unchanging aspects of nature. Editor: Yes, exactly! You know, the sheep aren't just *there*, they anchor our human presence to a much wider story. It is always fascinating to consider how art transforms the ordinary into something laden with cultural and psychological meaning. The scene isn’t only pastoral, it’s steeped in symbolism. Curator: Ravn-Hansen really achieved something special in balancing both detailed reality and the realm of emotional nuance within one artistic vision. That sense of being grounded while dreaming is rare in landscape art of this period. Editor: Precisely. It is an excellent case of form meeting intention, evoking so many things by showing such a familiar vision. This simple, seemingly peaceful vista brims with stories, with layers upon layers of interpretation waiting to be uncovered. Curator: Looking at "Landscape from Mols with Sheep," I now notice that she captures more than just an image, but the quiet strength in our continued journey to be close to the earth.

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