Gentleman Taking Leave of His Lady on a Veranda by Suzuki Harunobu 鈴木春信

Gentleman Taking Leave of His Lady on a Veranda 1725 - 1770

0:00
0:00

print, textile, woodblock-print

# 

portrait

# 

print

# 

asian-art

# 

textile

# 

ukiyo-e

# 

figuration

# 

woodblock-print

# 

men

# 

genre-painting

# 

sword

Dimensions: H. 11 in. (27.9 cm); W. 8 1/8 in. (20.6 cm)

Copyright: Public Domain

Curator: This print, "Gentleman Taking Leave of His Lady on a Veranda" by Suzuki Harunobu, dating from between 1725 and 1770, invites us into a private, yet profoundly public moment. What are your immediate impressions? Editor: Melancholy. The muted palette evokes a sense of restrained sorrow, like a farewell whispered on the wind. And the figures, though detailed, seem strangely disconnected, don't you think? Curator: Precisely. This piece utilizes ukiyo-e, or "pictures of the floating world," a genre that frequently captured transient moments in Edo-period Japan. It speaks to gender roles and social expectations that demanded emotional containment from both men and women. Look at how the gentleman's sword signifies his samurai status, a symbol loaded with patriarchal power and the constraints it imposed. Editor: The sword immediately drew my eye as well. Swords carry enormous weight as symbols of power, protection, and duty across cultures, and I can't help but wonder, what meaning did Suzuki Harunobu intend here? Notice, also, how the blossoms above the lady suggest springtime, evoking rebirth and transience as they fade so fast... but their fleeting nature contrasts so starkly against the samurai's rigid bearing. Curator: Good point. The rooster might add another layer of significance to their exchange, perhaps referencing loyalty or even male virility, common symbolic meanings for fowl within Asian art and throughout cultures in general. Considering these historical markers, his departure gains deeper meaning than just simply goodbye. It implies service, possibly even death—a profound loss amplified in this tableau vivant. Editor: I see what you mean. He prepares to leave, a somber mood hangs thick. His lady stands just near, still, sad...a poignant expression about societal expectations weighing on them, the transience of life, and duty's harsh, sorrowful call. Curator: Ultimately, the print provides commentary—not simply on lovers’ parting ways or a warrior's pledge made through silence instead of speech: through this seemingly straightforward image, Suzuki unveils more layered aspects that touch both private feelings versus imposed role performances demanded according societal lines within historical landscapes represented on wood! Editor: In closing, what seemed initially sad becomes so complex, reminding viewers who enter the work that universal narratives hide underneath everyday life if approached using informed artistic insight to decipher the subtle cues scattered artfully!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.