Portret van een man, staand bij een tafel met daarop een plant by Broek

Portret van een man, staand bij een tafel met daarop een plant 1900 - 1930

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photography

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portrait

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photography

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realism

Dimensions height 80 mm, width 44 mm

Curator: This photograph, "Portret van een man, staand bij een tafel met daarop een plant", simply translated to "Portrait of a man standing at a table with a plant on it," comes from the Broek profile, dating between 1900 and 1930. It's a striking example of early 20th-century portraiture using photography. Editor: What immediately strikes me is the somber mood. It's quite formal, almost austere. The gentleman's suit seems well-worn, and the backdrop appears to be in his place of work. I wonder what kind of labor produced this photographic representation. Curator: Notice how the composition emphasizes his presence. The slightly high vantage point gives him an air of authority. Consider his direct gaze. Is he a tradesman, or perhaps a shopkeeper? His attire and the subtle props surrounding him communicate a certain status, while the plant, I feel, signals a tie to home and growth. Editor: That small potted plant on the table is an intriguing detail. It hints at a personal life contrasting with his more formal working attire. The lighting is focused almost entirely on the man’s figure; I want to know if he arranged this moment or if the photographer framed it to capture him as a common craftsman of the time. The visible aging in the print is worth considering as part of its material presence. Curator: The way his hand gently rests on the railing offers a subtle clue, perhaps about his personality. It almost suggests humility and a quiet dignity amidst a world of industry and increasing social changes. Editor: Absolutely. The man's clothes denote a specific working role within the burgeoning economy of the time. Understanding the methods of image reproduction during that era tells a larger social narrative, I think, in addition to his likeness as the main subject. The fact that it survives until now gives more context to how society developed at the time this photo was shot. Curator: In closing, consider the man's portrait as more than a mere image. The artistry helps this picture convey identity, purpose, and silent witness to a specific turn of the century. Editor: Indeed, it provokes curiosity and investigation to how a moment caught between image and object represents the culture of its making.

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