Study for Institution of the Rosary by Saint Dominic n.d.
drawing, paper, charcoal
drawing
medieval
charcoal drawing
paper
oil painting
charcoal
history-painting
Dimensions 940 × 444 mm
Curator: Looking at Francesco Lorenzi's "Study for Institution of the Rosary by Saint Dominic," what immediately comes to mind for you? It's undated but held here at the Art Institute of Chicago. Editor: My first thought is "ethereal dream." All those smoky grays and creams... it feels like a vision emerging from the mists of time, or a half-remembered story fading at the edges. Curator: An excellent way to describe its immediate impact. Lorenzi has employed charcoal and paper to create a fascinating study. Observe how the institution of the Rosary by Saint Dominic is rendered. Note the hierarchy of figures, the positioning of Mary aloft. What does that evoke? Editor: Definitely a structured power dynamic. The saints below are very earthbound in their gestures, literally stuck on the steps. But then Mary...floating with angels? Classic divine intervention, the symbolic validation from on high. The Rosary as the path upward. Or perhaps, given the overall subdued tonality, a form of ascendance through mourning? Curator: Precisely! The Rosary itself is laden with meaning. Each bead represents a prayer, a step closer to divine grace, or in psychological terms perhaps closer to peace through self reflection.. Notice the placement of Saint Dominic, seemingly offering or presenting something. What comes to your mind? Editor: Feels like a careful choreography of belief, doesn't it? Saint Dominic's gesture, it's like an invitation—almost offering an escape from that heavy feeling that sort of permeates from the stairs in the foreground. The choice of charcoal emphasizes that sense of...well, dust to dust. Curator: Indeed. Charcoal lends itself to such nuanced shadow work, reinforcing our human condition against the grand religious narrative and giving it, dare I say, more meaning to those without unwavering belief in grand power. The history of religion as history itself? Editor: In the end, it is still an incredibly striking, very thought-provoking drawing, particularly about devotion, power, doubt, the human desire to believe and perhaps the courage of being yourself.. All bound within one mysterious scene. Curator: Beautifully summarized. A historical devotional scene filtered through Lorenzi's eye for shadow and structure. It remains relevant even today.
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