Apostel Filippus c. 1470 - 1491

This engraving of the Apostle Philip was made in Germany by Martin Schongauer in the late fifteenth century. Schongauer's work reveals the cultural context of the late Middle Ages. The Apostle is seen as a strong, but approachable figure, an idealised version of an ordinary man. The print conveys meaning through visual codes embedded in its time. Philip’s halo, the book, and the cross-staff were all recognisable symbols of his status within the emerging visual language of Christianity. Schongauer’s detailed engraving technique gives depth and texture to the image, highlighting the dignity of the Apostle. The print reflects the late medieval fascination with religious themes and the lives of the saints. It served both a devotional function and displayed the skill and artistry of the printmaker. Understanding this print better requires examining its historical and religious context, including researching the cult of the saints, and the development of printing. Approaching art with attention to such context allows for a fuller appreciation of its meaning and historical importance.