Harbour Scene, a Tower on the Right by Alexander Cozens

Harbour Scene, a Tower on the Right 

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Dimensions: support: 158 x 204 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Welcome. Here we have Alexander Cozens' "Harbour Scene, a Tower on the Right," part of the Tate collection. It's a small piece, about 15 by 20 centimeters. Editor: It's striking how much mood is conveyed in such a small sketch. The sepia tones and the stark lines give it a feeling of antiquity, almost like a memory. Curator: Cozens was quite interested in the picturesque. This work reflects the 18th-century artistic movement, emphasizing idealized landscapes and the aesthetics of decay. Editor: I see that. But I also wonder about the power dynamics inherent in these picturesque scenes. Who gets to idealize landscapes, and whose labor built those decaying structures? Curator: The sketchiness speaks to a certain freedom of expression, moving away from highly finished academic styles, which, back then, was radical. Editor: Indeed, and that freedom also extends to us as viewers. It's almost unfinished, inviting us to fill in the gaps, making it more engaging. Curator: A lovely interpretation; it seems that Cozens wanted to capture the feeling of a place more than its literal accuracy. Editor: I appreciate how it prompts reflection on the stories embedded within these historical landscapes.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/cozens-harbour-scene-a-tower-on-the-right-t08831

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tate 1 day ago

The lines describing the horizon of this landscape, drawn with the tip of an ink-charged brush, may have been traced from one of Cozens's 'blot' drawings. This work contains a rich variety of brush work, from the thin dark fluid lines in the background to the broad, almost dry brush technique used quickly to suggest the foreground rocks and tower. Cozens's use of long, rounded horizontal strokes to suggest the stone of the tower is particularly interesting. The richness of the dense black ink contrasts strongly with the warm colour of Cozens's tinted background. Gallery label, August 2004