Evans Repeating Rifle Co. Transition Model Lever Action Musket 1851 - 1901
mixed-media, metal, wood
mixed-media
metal
united-states
wood
armor
realism
Dimensions L. 46 5/8 in. (118.4 cm); L. of barrel 28 1/16 in. (71.3 cm); Cal. .44 in. (11.2 mm); Wt. 9 lb. (4086 g)
Curator: Here we have the Evans Repeating Rifle Co. Transition Model Lever Action Musket. Its production spanned from 1851 to 1901, giving it a unique position in firearms history. The piece combines metal and wood with such an interesting duality. Editor: My first impression is that it’s almost deceptively elegant for what it is, I suppose. The detailing softens what you expect from this type of industrial object. Curator: Exactly. Consider the engravings on the receiver. They evoke a kind of stylized pastoral scene—a softening of violence through idealized nature. A symbolic, maybe unconscious, justification. Editor: Do we know what materials they used for the embellishments, for the engraving itself? The etching appears incredibly delicate. That would have required very specialized labor. Curator: We do. The designs are meticulously etched onto a nickel-plated receiver, showcasing the high level of craftsmanship sought at the time. The walnut stock further emphasizes the contrast between functionality and decoration. Editor: I wonder, was it made with interchangeable parts? If it wasn’t, and I'm guessing it might not have been at that point, each element had to be painstakingly shaped to its partner piece. It's a study in early mass production techniques clashing with individual craft. Curator: It highlights the fascinating transition between hand-made and machine-made objects and values that we were just beginning to engage with as a culture. A weapon made beautiful... Is it a reflection of power, progress, or perhaps the unease accompanying rapid industrialization? Editor: It’s definitely something that could easily be viewed from many different lenses. It's beautiful in an unexpectedly complex way. A testament to that tension you mentioned, that ongoing shift of labor. Curator: A beautiful object hinting at so many complex cultural and industrial narratives. I hope we’ve offered a glimpse into them for you today. Editor: Indeed. I certainly came away with a lot to consider about process, materials, and the human effort invested here.
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