Dimensions: height 206 mm, width 114 mm
Copyright: Rijks Museum: Open Domain
Carel Adolph Lion Cachet made this abstract decorative design with pen and ink, probably at the start of the twentieth century. The artist really allows the materials to speak, with ink bleeds and visible gridlines. It's a reminder that art isn't just about the end result, but about the process of making. The colors are earthy and muted – blacks, browns, and creams – giving the design a grounded, organic feel. The ink is applied with varying degrees of opacity, creating depth and dimension. Look closely at how Cachet uses the pen to create a play between rigid and organic lines. The bold strokes of black ink contrast with the more delicate lines of the underlying grid, giving a sense of tension and balance. It reminds me a little of Hilma af Klint, but in a more restrained palette. Both artists were pushing the boundaries of abstraction, exploring new ways of seeing and representing the world. Like much great art, this piece embraces ambiguity, inviting us to bring our own interpretations and experiences to the table.
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