Schets van een jonge vrouw, naar links by Taco (I) Scheltema

Schets van een jonge vrouw, naar links 1770 - 1837

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drawing, pencil

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portrait

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drawing

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neoclacissism

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character sketch

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romanticism

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pencil

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academic-art

Dimensions: height 194 mm, width 117 mm

Copyright: Rijks Museum: Open Domain

Curator: I am immediately struck by the lightness of touch in this drawing. The faint pencil lines feel like a whispered secret. Editor: Precisely. This is "Sketch of a Young Woman, Facing Left" by Taco Scheltema, who lived from 1770 to 1837. A study, perhaps, hinting at both Neoclassical and Romantic aesthetics mingling at the turn of the 19th century. It’s all captured on this single sheet with such deceptive ease. Curator: Ease yes, but also a certain…distance? I feel as if I am observing this woman, capturing her almost from a fleeting dream. Her features are precisely rendered, and the hair style seems very mannered; her slightly downward gaze projects modesty. Editor: Good point, although that very distance reflects, perhaps, a specific social function of portraiture at the time: asserting social standing. Look how her coiffure subtly suggests status; similarly the drape of her garment hints at classical refinement. Scheltema presents the subject as cultivated. It tells us as much about aspirations of his society as of the individual. Curator: Maybe, but I can't shake this sense of interiority; look at how she isn't offering herself up to be admired or consumed. Instead, she seems turned inward and slightly reticent as though she's preoccupied with a question only she can resolve. I feel privy to something that exceeds her societal role. Editor: Indeed. It speaks to the era's shift away from rigid depictions toward portraying emotion, individuality—although always filtered through societal norms. And as it's just a sketch, we glimpse a more personal study escaping formality. It is an informal capture that renders her so beautifully familiar. Curator: So familiar and elusive—a memory, maybe, captured just before it fades completely. Editor: It is one of art's more delightful contradictions. A formal, practiced portrayal giving us just enough access to fuel imagination and projection across centuries of history. A small act of resistance rendered with love and care.

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